Research Outputs

Publications
(accepted for publication)Papadaki, E., “Re-mapping the Territory: immersive exhibition practices in the expanded field” (chapter in edited volume on mapping technologies)
2016Papadaki, E., "Le geste curatorial et les oeuvres sur écran. L’évolution d’un néologisme vers une tendance majeure" [The curatorial gesture and screen‐based works. The evolution of a neologism towards a major trend], Proteus: 10, Cahiers des théories de l'art, Paris: Proteus, pp. 64-70
2016 Papadaki,E. and Dare, E., “Bare Nothingness: situated objects in embodied artists’ systems” in Ioannis Deliyannis and Christine Banou (eds) Experimental multimedia systems for interactivity and strategic innovation, Hershey: IGI global, pp. 16-48
2015Papadaki, E., “Curating Lights and Shadows, or the remapping of the lived experience of space” in The Senses and Society, London: Taylor and Francis/Routledge (special issue: Art and Light), pp.217-236
2015Papadaki, E., “Interactive Video Installations in Public Spaces: Rafael Lozano-Hemmer's Under Scan” in Virginia Crisp and Gabriel Menotti Gonring (eds) Besides the Screen: Moving Images through Distribution, Promotion and Curation, London: Palgrave Macmillan, pp. 197-212
2013Papadaki, E., “Filming the non-epic side of the journey to Antarctica: Stromness” in Anatopies II, Paris: INHA & Silo [unpaginated]
2012Papadaki, E. and Jefferies, J., “Katie Mitchell: intimate technologies in multimedia performance” in Maria Chatzichristodoulou & Rachel Zerihan (eds) Intimacy: across visceral and digital performance, Basingstoke: Palgrave Macmillan, pp. 188-199
2010Papadaki, E. and Zografos, Z., “Plan B – a joint proposal for the pavilion of post contemporary curating” [http://www.thecentreofattention.org/exhibitions/sutton3.html ]
2006Papadaki, E., “Alexia in Wonderland”, Alexia Xafopoulou, ex. cat., October 2006, Athens: Frissiras gallery, pp. 5 -8
2006Papadaki, E., “Arrogance: Guided Information and the view from the sofa”, Giorgos Divaris – Arrogance, ex. cat., Athens: Gallery 24, 2006, pp.15-17
2006Papadaki, E., “Running a Museum: a practical handbook” (book review), ICOM Newsletter, period B, vol.3, January 2006, pp. 14-15
2005Papadaki, E. and Iliakis, M., “Ephemeral construction of digital actions in the city – a platform for video artists” in Curating: 9 + 1 Un-realizable Projects, Athens: Futura, 2005, pp. 49-59
2005Papadaki, E., “Branding the visual arts: the life cycle of the art commodity within the University Education System”, European Congress of Visual Arts’ Education (5-10/9/2005) - proceedings, Athens: EETE, pp. 32-37
2004Papadaki, E., “State and Museums: the institutional context of Museums”, ICOM Newsletter, Period B, vol. 1, January 2004, pp. 15-16
Conference Presentations (selected list)
2017“Space as Methodology: The Politics of Exhibiting the Moving Image in Public Spaces”, The Politics of Space and the Humanities, Thessaloniki (Greece), 15-17 December 2017
2017“Between the Library, the Learning Centre and the Media Centre: Digital Arts Research in Higher Education”, Forum of Ideas on Libraries and Contemporary Culture, Kozani (Greece), 12-14 May 2017
2014“Communicating Technology: Interactive Design and Interdisciplinary Collaboration in the Digital Arts”, DRHA2014 – Communication Futures, Digital Research in the Humanities and the Arts, London, 31 August – 3 September 2014
2013“Curating Lights and Shadows: Rafael Lozano-Hemmer’s Under Scan and the remapping of public spaces” [session: Illuminating Space – Art and Light: Reconfiguring a Sense of the World], Royal Geographical Society and Institute of British Geographers Annual International Conference, London, 27-30 August 2013
2010“Branding the border: Yang Fudong’s ‘First Spring’ and the Prada Foundation”, Border Reverb: Clandestino Festival, Göteborg, 8-13 June 2010
2010 “Fiction stripped bare of its conventions: …some trace of her”, After Fiction, Copenhagen Doctoral School, Copenhagen, 3-5 June 2010
2010“The eternal self: Experiential interpretation of screen-based works of art”, Aesthetics and History, Stockholm University, Aula Magna, Stockholm, 25-26 February 2010
2009“Even better than the real thing: when fiction becomes more convincing than the truth – Stefanos Tsivopoulos’ documentaries”, Border Documents – CPH: DOX [International Documentary Film Festival], Copenhagen, 9-11 November 2009
2008“Curating Screens – Or, how the presentation of screen-based artworks defines their essence”, Art and Research: New Interfaces, Copenhagen, Royal Academy of Fine Arts, 5-8 June 2008
2008“Branding the visual arts: the life cycle of the art commodity within the University Education System”, European Congress of Visual Arts’ Education, 5-10 September 2005, Athens: EETE
2005“Showing the way: Greek contemporary artists deconstructing and encoding humanism”, 2nd Beijing International Art Biennale, Beijing, 22-25 September 2005
Panel discussions
2018“Digital Cultural Heritage in the ‘land of the ancient’: the case of Greece” (with Anastasios Maragiannis and Maria Chatzichristodoulou), DRHA2018 – Creative Legacies – Collaborative Practices for Digital Cultural Heritage, Fondazzjoni Kreattivita, Valletta (Malta), 12 September 2018
2011“A2: performing the collective” (with the choreographer/performer Antonietta Mirto and the architect Stamatis Zografos), Collective Futures, Goldsmiths college, London, 3-5 March 2011
2010Humanities Un-Plugged (with representatives of the doctoral schools of Goldsmiths UoL, Freie Universität Berlin and the Doctoral School of Copenhagen), InterArt, Berlin, 11-14 November 2010
2010“Plan B – a joint proposal for the pavilion of post contemporary curating” (with Stamatis Zografos), Social Aesthetics, Goldsmiths college, London, 4-6 March 2010
2008“An approach on Sarah Cook’s ‘Toward a Theory of the Practice of Curating New Media Art’” (with representatives of the doctoral schools of Goldsmiths UoL, Freie Universität Berlin and the Doctoral School of Copenhagen), Art: Relations – Revisiting Crucial Concepts, Freie Universität, Berlin, 30 October – 1 November 2008
Workshops
2018“Visual Communication for the creative professions”, a series of workshop-based sessions for students of Digital Communication, Graphic and Digital Design, Web Design, Branding, 3D Animation, pôle universitaire Léonard De Vinci, Paris (France), 17-21 December 2018
2017“Working with Images”, a series of creative workshops (in collaboration with visual artist Aristea Gravou) in the context of the 3rd Andros festival, Andros (Greece), July – August 2017
2010“Displaying and Distributing new media work”, series of seminars and workshops (in collaboration with Professor Janis Jefferies) for students of Fine Arts and Arts & New Media, Delphi new media summer school (an international collaboration between Athens School of Fine Arts [Greece] and Paris XVIII [France]), Delphi (Greece), 9-21 July 2010
2009“Performance and performativity in screen-based works of art”, a series of seminars for doctoral students of various disciplines (an international collaboration between Goldsmiths University of London, Freie Universität Berlin and Copenhagen Doctoral School), Laboratory: Methods of Interart Studies, Berlin (Germany), 16-18 November 2009
Exhibition participation (work and text)
2016“Helix3.obj”, The Wrong [Again] – New Digital Art Biennale, Vitoria (Brazil), 7 April – 12 June 2016
2014“Playing with Fire”, series of archival educational clips from the Encyclopaedia Britannica moving image database, Cities Methodologies 2014 – Buildings on Fire: Towards a New Approach to Urban Memory” [curated exhibition with Stamatis Zografos], Urban Lab – Slade Research Centre, London (UK), April – May 2014
2013“Waiting for Moby Dick” [with Stamatis Zografos], The Mail Art on Books, Antikvariaatti Sofia, Helsinki (Finland), December 2013 – January 2014
2012“The Return of the Drive-in Cinema”, proposal for the regeneration of the urban environment and construction into a 3D maquette, Urban Fabric, Access Space, Sheffield (UK), 3-23 November 2012